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Fiction Facade

by James Morse

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1.
Galilee 03:26
Now we're talking in our sleep the people look like trees with their arms around their knees <behind their eyes> (fantasizing of their dreams) of a life that they could reach if only grief could be deceived "at present, we see indistinctly as in a mirror," staring into the abyss of conscioiusness wishing for it to be a little bit clearer and reveal itself the chaotic, cacophonous f-f-f-fear of the distance that plagues us Now I'm a blind fool half asleep while the children learn to pray and the women start to weep because they see the time, the coming of the day when the wolves walk out the woods waking sheep from out their sleep when they begin to scatter wondering what was the matter with their sleep and their dreams lying shattered in the grass or rather disappeared into the clear, thin air then they will gather, then they will gather all around in the pasture to the sound so unfamiliar, yet familiar (a mysterious voice sadder, yet happier, more joyous than any noise they'd ever heard before) "at present, we are sheep seeing indistinctly as in a mirror," staring into the abyss of consciousness wishing for it to be a little bit clearer and reveal itself the chaotic, cacophonous f-f-f-fear of the distance that plagues us (do sheeps even dream?) in the end the metaphysics are cryptic if only we could settle to be still and just listen to the voice of the Mystic but then, just then, that second the watchman will come walking out to say that the Mystic is dead (this chapter in our conceit has ended) -but wait- not yet, maybe it's through His very Death the sheep will be redeemed! after all, the tomb was left empty, "stop holding on to me, Mary" <Peter's threefold denial by the charcoal fire> was answered by another scene with another fire on the sea of Galilee what if the whole world stopped to slow down, took a deep breath, meditated, looked around appreciated the splendor that is to be found in Creation's sacred manifold Christened by the Holy Ghost?
2.
Streams 02:21
Come upon the wishing well, Find out how to tell, Catch that spell, I want to know, Just how You know, My name, Name... Five men I have slept with, I have seen, I've called my own, But You know just who I am, And You know where I'm from, You're the answer Whom I seek You tell just who we are, One more husband, One more man, And then you come along, You come along.
3.
Phases 02:24
I took one look and I knew I was wrong, I had the words in my head, but I just couldn't connect the dots, spit them out on the pavement as we walked along, Next I'm in a phase, this game of chasing right words to say Oh, I'm a fake She can tell I'm just aching to say it This matrix has me in a daze Your face elated Conversation's next step We're in phases This one's two Fellowship and it grew Into a tree, blossomed And the birds of the air Can nest in the shade Phases Oh, I'm going through phases going through phases Three, I'm talking with you late at night Sharing my darkest Walking next to a parked car Rusted out Left to the elements Go figure It's a testament I'm a testament You were Heaven-sent Praise God, I'm now downtown Staring at the silhouettes Of the buildings Across the federal highway Catching glances from the neighbor He's a recluse With a Civic, Nineteen Ninety Maybe Later That cat was using asphalt shingles as wall paper Stances Just a phase Now we're moving on living for the weekend And our love is strong We're looking up Now Grandpa's gone in a minute It seems like just yesterday I was watching him across the street Him telling me Son you need a haircut Life goes by fast I'm elated Stayin away from the social media Keeps me from getting jaded Remember who I am As I'm passing through These phases on my way Create Scenes fade Lights out New Phase
4.
Conscience 02:39
I reckon I had the chance to have another but I gave it up because my conscience was calling and in the end it just wouldn't permit it. Consciousness and its invisible strings me to another thought Why do I wanna choose either right or wrong or nothing at all? It's been a long day come a long way writing songs keeps me focused on the better days It feels like I've been running for days Now I'm living off of hope in a feeling When the feeling's gone then where do I go? Chase down a mirage some artifice, a montage of images Gotta find a way to get back oh, but I can't get back, Oh, I gotta get back I could fall in love again and again with you show me the way, Sydney, I need you now more than ever This is my letter I wanna be better How can I show you in so many words all together You are the other the Almighty sent to walk on into the darkness of night It blinds my eyes and burns away, burns the imperfection in the night burns the imperfection in the night It's a darkness so bright its light is a relative night.
5.
Arthur 04:34
6.
Bitter One 03:32

about

What is a facade? What is essence? MCJ explores these questions in Fiction Facade as they relate to the human soul and its relation to other souls. In an attempt to bridge the gap between essence and accidents, or appearances, we as humans find meaning in being truly authentic, living out our true identity, rather than the ultimately fruitless search for that identity and meaning in the ones we project to others. Using 'perception reliefs' and 'projection screens' we often hide our true selves. Only through an honest, vulnerable admission of our pride can we find real humility, the kind with staying power that heals and enables real relationship with self and others.

credits

released April 4, 2021

All songs written, produced, mixed, and mastered by James Morse from 2017-2021

Acoustic guitar, electric guitar, bass guitar, banjo, mandolin, piano, electric piano & midi instruments, harmonica, Alesis SR-16 drum machine, & sampling - James Morse

Hofner bass - Jake Schirra

Eastman electric - Jimmy Denny

Drums and percussion, sampling - Paul Stevens

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James Morse Atlanta, Georgia

singer-songwriter, sound-maker, ad-hoc arranger, painter

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